A Resource to Help You Choose the Right Job for Your Character + Giveaway

Hi everyone! Today I have something fun to share…a special chance to win some help with your writing bills. Awesome, right?

Some of you may know Angela Ackerman and Becca Puglisi of Writers Helping Writers. Well, today they are releasing a new book, and I’m part of their street team. I’m handing the blog over to them so they can tell you a bit about their Writer’s Showcase event, new book, and a great freebie to check out. Read on!

Certain details can say a lot about who someone is, like a character’s goals, desires, and backstory wound. But did you know there’s another detail that can tie your character’s arc to the plot, provide intense, multi-layered conflict, AND shorten the “get to know the character” curve for readers?

It’s true. Your character’s occupation is a GOLD MINE of storytelling potential.

How much time do you spend on the job? Does it fulfill you or frustrate you? Can you separate work from home? Is it causing you challenges, creating obstacles, or helping you live your truth?

Just like us, most characters will have a job, and the work they do will impact their life. The ups and downs can serve us well in the story.

Maybe you haven’t thought much about jobs in the past and how they act as a window into your character’s personality, interests, and skills. It’s okay, you aren’t alone. The good news is that The Occupation Thesaurus: A Writer’s Guide to Jobs, Vocations, and Careers is going to do all the heavy lifting for you. You’ll be able to pick the perfect job for them and discover how to weave it into the very fabric of the story. (Here’s one of the jobs profiled in this book: FIREFIGHTER.)


To celebrate the release of a new book, Becca and Angela are running a giveaway from July 20th & July 23rd. You can win some great prizes, including gift certificates that can be spent on writing services within the Writer’s Showcase. Stop by to enter if you like!

Resource Alert: A List of Additional Jobs Profiles For Your Characters!

Some of the amazing writers in our community have put together additional career profiles for you, based on jobs they have done in the past. What a great way to get accurate information so you can better describe the roles and responsibilities that go with a specific job, right? To access this list, GO HERE.

Happy writing to all!

Millieu, Intrigue, Character, Event (MICE)

Today I want to give you an overview of something that I find useful when figuring out where to start and stop a story and how to keep it on track.

It’s called the MICE Quotient and I learned about it from Mary Robinette Kowal, though it was invented by Orson Scott Card.

The letters stand for:

M – Milieu
I – Intrigue/Idea
C – Character
E – Event

Each letter tells you what type of story you’re telling.

Milieu story

This is largely a story about place. Usually your character arrives in a new place at the start, and most of their struggle is about them neogitating that place, learning about it, trying to escape it. The story ends when they leave that place or they fit it.

EXAMPLES: The Hobbit, Lord of the Rings, Ever After.

Intrigue/Idea Story

A question is posed at the beginning of the story. The story ends when the mystery is solved or the question is satisfactorily answered.

EXAMPLES: Sherlock Holmes, Arrival/The Story Of Your Life

Character Story

A character starts off with an internal conflict and, by the end of the story they have changed it, or rejected the idea of change, or at least understood where the problem lies.

EXAMPLES: Die Hard (Seriously, John McClane has issues at the start of that movie!), The King’s Speech.

Event Story

External forces change the world at the start and drive the struggle in the middle of the story. At the end of the story the status quo has been restored or a new normal has been established.

EXAMPLES: The Hunger Games, The Parent Trap, disaster movies!

The infographic is here. It helps more, with the visual component.

I also thank Julie Duffy from Stories a day, because she helped me discover it, together with the fact that most of my novels are actually millieu stories, with a dash of character too. I used to call them “group stories“, trying to explain that I am writing more characters’ story, not only one or two’s, but this has been a revelation I am sharing with you all. Maybe it helps someone else as well.

No two readers will read it the same way


…And none will understand your book exactly how you meant it to be understood, unfortunately.

I am reblogging hereinafter, in italics, Holly Lisle’s tip, giving, as credits, respectfully, below, all the information needed to access her site and ask writing-related questions. The tip isn’t mine; the problem is mine too, and many others’ – I have just learned that it is universal.

I was angry when I was misunderstood. I thought people didn’t read with attention. Then, I was sad. I thought my poor writing skills (or, worse, communication skills) are to blame. Then, I understood that I was doing the same. That there are many parallel perceptions, as I highlighted here. And none can be wrong for that person, but they seem wrong for all the others. Because everyone connects everything to their own experience and knowledge. Nothing happens in a void.

No two readers will read your book the same way. No two readers will find the same things to take out of it. No other reader—ever—will comprehend what you have written exactly as you meant for it to be understood when you wrote it.

You can be the most flawless communicator on the planet, with perfect comprehension of language and idiom, with exquisite delivery and an ability to show instead of telling that has never been matched before, and never will be again, and you will still be misunderstood by more people than understand you.

Here’s why. 

People don’t come with standardized brains. Folks love the analogy of brains being like computers—but if you take one million computer motherboards of the same make and model, they will vary slightly…but if they work at all, they will work the same way.

The human mind, on the other hand, is home-grown, and every single one is unique.

You can study various regions of brains in general that have certain functions, and that more or less predictably act in certain ways when presented with certain chemical compounds, drugs, over- or under- dosages of things like potassium or sodium…

But every human brain is wired uniquely, with every single thing any human being has ever done, every association he has ever made, every person he has ever known, every passion he has ever felt, and every food, drink, or noxious chemical he has ever run through his system affecting his personal wiring uniquely.

The fact that we can understand each other at all is frikkin’ amazing, because each one of us learned our own unique portions of language through our experiences; made (correctly or incorrectly) our unique associations with words and concepts; experienced a single unique life that has not one single identical point of connection in it with the life any other human being has EVER experienced.

Doubt me? Ask a cop. The guy who is first responder to the scene of a crime or an accident has the joyful duty of finding out what happened from the folks who saw it happen. Every single one of his eye witnesses saw something different—their brains fill in what they actually saw with what they have programmed themselves through previous experience to expect; most of them were not paying attention; and even if the cop is lucky and everyone is absolutely certain he or she is telling the absolute truth, he’s going to get as many different stories as he has witnesses, and ALL of them are going to include a varying mix of fact and error.

You are the only YOU this world will ever have. You are irreplaceable, and the way you see the world is irreplaceable.

But because you are unique, no one else on this planet has ever had—and never will have—the same set of experiences, genes, disasters, chemical balances, heartbreaks, triumphs, and boneheaded screw-ups that you have had.

So no one else can ever completely understand what’s inside your brain.

And as I have said before, reading and writing are the process of telepathy. It works well when you have both a good writer and a good reader—but it’s imperfect. If anything is missing on either side of that equation, it falls apart to the degree that the two minds trying to talk to each other are mismatched.

I have had readers argue with each other that themes in my novels represented polar opposites not just of what I had written, but what each of them saw in the same book.

I have had people find in my words support for political views antithetical to my own (my own view is “politics be damned, and political parties suck”); I have been the target of flames from people who insisted that a word meant what it NEVER meant, and used that word they misunderstood as their rationale for their rabid loathing of and hatred for me…

This is part of the gig. It’s no fun.

What is fun is when someone gets you. Can see the world through your eyes, and realizes you’ve both looked through the same window, have both experienced the same connection to life and its possibilities at one point or another.

That is beautiful. And that is why you keep going in spite of the imperfections of the process.

Write with joy,


How to ask a question for “Holly’s Tip”
To ask YOUR writing question, go here:

Select “Writing Question for the Newsletter” from the “What Kind of Help? list. If your question is good, and not something covered before on this list, or extensively on my sites, I’ll answer it in this newsletter. If I use it, I’ll let you know it will appear in a future issue.