Si eu m-am indragostit de cartea Arrabellei si o citesc pe nerasuflate! V-o recomand, impreuna cu recenzia repostata mai jos!
It is nothing new that the world is functioning upside down in various aspects of life. Why not in the writing realm too?
As you know already, and as you can see from the blog header, I have published three novels up to now. Two others and a short stories anthology will follow soon, almost certainly all three to appear this year. I published with small indie presses, because this is what I have the possibility in the current book market conditions. Many writers more seasoned than me published with the same two indie presses, so I am in good company. (And they aren’t vanity presses, printing and dumping the books in your arms. No, they assure launching events, participation at fairs, the collaboration of literary critics, etc.)
I am glad that I have started to become a little known among the contemporary writers in Bucharest. If one googles my pen name (despite being quite common internationally) one can find something about one of my novels too. If googling the titles, there are few information about them, but they are, reviews and photos. I had good reviews from the literary critics at the book presentation events, I had my novels displayed at the bi-annual Bucharest International Book Fairs… all these are successes for a junior writer, with only 3 novels published up to now.
I think I have a few more good things to list, including being on some senior writers’ good list. It sounds lovely, but… let’s vent my frustrations too. And this comes with the warning that the Romanian book market, unfortunately, doesn’t resemble the English speaking books market, so most of the book marketing ideas I find online, in English speaking blogs, unfortunately do not apply. For example, the English-speaking literary world promotes very much e-books. Here they are negligible sold. Printed word is the base… where it is.
While the English speaking market is catering to nearly one billion people (there were, in Internet statistics, 400 million native speakers of English, to which to add 400 million speakers of English as a second language, in 2006, and I assume the population has increased in 12 years), the overall population of Romania was of 19.5 million people, out of which about 4 million are abroad, about 3 million too young to read my novels (below 14)… and from the remaining 12.5 million, about 40% or more are poor, too busy to survive and not reading anything else than an occasional newspaper or religious book. Sad, but true. Of course, from the remaining people who would read in principle (some regularly, some occasionally) not all are fans of historical adventures fiction/ YA, what I am writing. This is a realistic analysis.
As far as I heard the publishers say (not only personally to me, but also in interviews on the internet) – and we have our “big fives” here too, plus a whole constellation of small indie presses (the equivalent of self publishing would be here dealing directly with the printing house without a publisher, which is recommended only for professional books which have already the distribution ensured or for people who print one memoir book in their lives to give to 50-100 people, not needing ISBN or anything), in my country a book (written by a contemporary national writer, not translations of international bestsellers and not books required for school reading like our classics) printed in 1,000 copies is already considered a best seller. My novels were, 2 of them published in 200 copies, the first one in 300. It is the level generally the writers around me use.
Now, my sincere frustrations?
– I haven’t recovered the costs on any of them. Yes, I have sold some, but the greatest amount was given freely. Now, to be honest, I knew from the start that I wouldn’t get rich from writing. I did it from my heart, and I loved when I received compliments about the books (not only from the critics, I appreciate more the readers’ compliments and questions, even if I know the critics’ are of importance for the accession to the Writers’ Union). This is when I felt they got their mission, to brighten someone’s day and to transport them to another time and place, offering them an insight on that way of living. But I would have appreciated if I succeeded to recover my costs. Some writers know business owners and get sponsors. (I had sponsors too, back in 1999, for my professional handbook in project management). I don’t know influent people who would be able to sponsor me, every cost is supported from my meager savings (given that I am retired now). Yes, I sold books at various events… but the money received covered the expenses of the event, with very little margin (if any).
– I can’t reach exactly my target group, the high-school and Uni youngsters. Until now, my novels were bought mostly by grown-up or older people who were nostalgic about the style of novels they use to read, because these were the ones coming to the literary events.
…And everything needs more money. Half, I understand this as in the fact that if I try to expand my marketing network, this doesn’t come for free because this is what those people gain their living from – organising things, writing things. I am lucky that I haven’t had to pay for some things, though. There are friends who help me for free, and I thank them wholeheartedly. At my turn, I have always helped people for free, with whatever I could. It had never occurred to me to ask money, and I am always shocked when I am asked money for various things which, in my thoughts, shouldn’t.
In a world which wouldn’t function as upside down as it does, the writer should be allowed to write – like it was before the ascension of social media – and the others should do the marketing part. I am sure that Hemingway, Victor Hugo, Alexandre Dumas weren’t the ones to do much more than writing. Yes, they received their money after the books were sold, but nobody asked them money for publishing, for book launching events organisation and other things. Or, if now shedding money is a must because there are too many books published and no publisher assumes the economic risks anymore in this crisis economy, at least they should want the money from the sales! Not before recovering the costs…
One would say fame has a price I am paying. Even little fame. Others say it’s something wrong with me and my writing, otherwise merit triumphs. What I have seen and heard around me, says that it’s not only me, and not only merit triumphs. Besides merit, it takes good luck, knowing the right persons and maybe also having some financial reserves… But I still have the feeling that things aren’t how they should be. The system doesn’t function how it should. (Where does it?)
Because I love Nicholas Rossis’ stories…
In April, I posted my thousandth post on this blog. To celebrate, I will share here all my short stories. Every couple of weeks, I’ll be posting one story from my celebrated Exciting Destinies series for you to enjoy. With over 30 stories so far, I hope you’ll have lots of fun in the coming months!
This week, it’s Royal Duties from You’re In For A Ride.
Click here to read some more free stories.
I know the place is trouble as soon as we pass the twin marble columns and enter the austere palace. Pained cries assault my ears, coming from behind a closed door at the end of an endless corridor. Our footsteps echo on the shiny marble floor until we reach it.
A fresh scream comes from behind the polished mahogany. All my hairs stand on end. I glance at my trusted…
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O clasificare literara interesanta.
Ne-am gândit să întrebăm comunitatea noastră de cititori de pe Instagram care sunt romanele preferate din literatura clasică și am reușit astfel să facem un clasament pe care-l găsiți în articolul de mai jos. Lecturi frumoase!
10. „Povestea despre două orașe” de Charles Dickens
Haosul Revoluţiei franceze pusese stăpânire pe oraş. Era vremea marilor schimbări, și totul se afla sub semnul unui necruţător pericol, în care fărădelegea şi nedreptatea deveniseră armele răzbunării, arareori făcându-se deosebirea între vinovat şi nevinovat. Tocmai de aceea, povestea lui Dickens cucereşte prin dovezile de curaj ale eroilor săi, martori ai acelor timpuri.
Închis pe nedrept timp de optsprezece ani în fortăreaţa Bastiliei, doctorul Alexandre Manette este în sfârşit eliberat şi adus la Londra, alături de fiica sa, Lucie. După lungii ani de despărţire, s-ar fi zis că viaţa le oferă cadoul mult visat, când soarta l-il scoate în cale pe tânărul francez Charley Darnay, închis…
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There are plenty of methods to plotting out a novel or script. You’re probably most familiar with Freytag’s Pyramid: exposition, rising action, climax, falling action, and conclusion. That’s the one I was taught in school. I’d always get confused about the climax, though. The “turning point” or the “point of no return” is how it has been described to me. But is the climax an emotional one, the point at which the protagonist is at his best or happiest? Is it the point at which the protagonist defeats the antagonist? Is it the point at which the protagonist has everything she needs to defeat the antagonist? Maybe I’m the only one who had this confusion.
The 3-Act structure is adhered to in virtually any screenplay.
There’s Donna MacMeans’ W-plot, which charts the emotional journey of the protagonist.
And recently I came across two plotting techniques…
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O noua recenzie pentru PRIETENII DREPTATII – multumesc, Marius Andrei!
„Orice mutare reprezintă o aventură.”
de Marina Costa
Anul apariției: 2018
Număr de pagini: 304 (volumul1) + 272 (volumul 2)
Există cărți ce au capacitatea de a ne trasnspune total în alte locuri și alte vremuri, printr-o abundență de detalii întrepătrunse care reușesc să recreeze o atmosferă, un mediu, o epocă. Însă pentru a menține magia lumii înfiripate în jurul cititorilor, este nevoie totdeauna și de o poveste care să captiveze cu continuitate. Altfel, încet-încet, vraja se destramă și tot efortul descriptiv nu rămâne în memorie decât drept un scurt miraj, o Fata Morgana ale cărei întrupări n-au apucat să se stabilizeze.
Prietenii dreptății, romanul scriitoarei Marina Costa, este un astfel de portal confecționat dual ce se deschide înspre o lume captivantă, populată cu personaje interesante. Forța sa de transpunere este fantastică, izvorând din documentare istorico-geografică…
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